BlitzBitz - Samantha's Blog
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Samantha Coates' musings on teaching, publishing, theory, musianship, music craft, the AMEB and other things that spring to mind.
By Samantha Coates on 16/05/2015 1:39 PM
In the February BlitzBooks newsletter, I wrote an article summarising some of the survey results. This contained some fascinating data, including the fact that professional musicians had only slightly better aural skills than non-musicians.

Here, finally, is a much more detailed overview. Just to recap my reasons for setting up this survey in the first place: I have observed many times in the past an individual who is supposedly ‘tone deaf’ being able to accurately identify a certain pitch or piece of music, as long as it was very familiar to them. I thought it would be fun to devise a survey full of very familiar sounds to test the level of aural accuracy, and for this test to be open to absolutely anyone and everyone. While I was putting it together I have to say I was a little worried that perhaps it was too tricky for non-musicians, but I was HOPING that I was wrong… and I’m so glad I was!!!

I’ll start by showing the breakdown of correct answers for each of the 10 sounds in the survey (participants...
By Samantha Coates on 14/04/2015 8:27 PM
aural doggyA while ago I wrote a booklet containing tips, tricks and techniques which can be useful for those who find the aural aspect of music a bit more challenging. This booklet was only available for a very short time, and only as a promotional giveaway. So I thought it might be an idea to reproduce it as a 3-part blog.

I would like to thank the following people who have made invaluable contributions to this book/blog:...
By Samantha Coates on 21/02/2015 6:06 PM
At the end of last year, I announced to my students that everyone would be participating in the 40-Piece-Challenge, the origins of which are explained by Elissa Milne in her excellent blog. They were excited at the thought of participating in something official, and I spent a good deal of my time over the holidays preparing personalised progress charts, finding just the right stickers and stamps, and making a big wall chart to stimulate the maximum amount of competition between students as possible J.

Another thing I spent a lot of time on was thinking about what actually constitutes a ‘piece’. Some students do try to rort the system a little, learning pieces that are just WAY too easy for them and expecting it to count towards the 40. I wanted to come up with the perfect way of closing this loophole, so I put this to the Australasian Piano Teachers Facebook group....
By Samantha Coates on 28/08/2014 9:49 PM
sports-equipment (1)When it comes to playing piano – in fact any musical instrument - I think there are enormous similarities between sport and music. For example:

1. It is a physically demanding activity that takes hours of practice/training each week to do it well;

2. It is not possible to ‘cram’ – that is, ignore practice on a daily basis, and then practice madly the night before a game/an exam and still pull...
By Samantha Coates on 28/05/2014 8:45 AM
There is no question that music exams are a huge part of Australian culture. Recently, the Australian Music Examinations Board (AMEB) published in their newsletter five excellent reasons for doing music exams. In a nutshell, these five were:

1. Have a goal to practice towards

2. Practice a broader range of skills (than repertoire only)

3. Gain performance experience

4. Get constructive feedback

5. Have achievements recognised.

These are all good points and very relevant to budding young musicians.

But what if the music student is not interested in exams? Perhaps he or she has done an exam in the past, but had a negative experience and doesn’t want to go down that path again? Or what if it just doesn’t suit his or her personality? As a teacher I find that it is an uphill battle trying to convince children and parents that learning music without churning through the ‘grades’ is a perfectly valid music education.

So this article is here to acknowledge that...
By Samantha Coates on 10/04/2014 1:41 PM
Well, the results of the practice survey are in, and they are very interesting!

There were just five questions in the survey (each phrased slightly differently, depending on the answer to question 1):

1. Are you a student/teacher/parent?

2. Did you practice much over the holidays?

3. Were you rusty at the beginning of term?

4. Did you take long to get back into the swing of things?

5. Did you recommend ways to get into a good practice routine?

A whopping 73% of all responses were from teachers, probably because these issues are at the forefront of their daily lives, but also due to the fact that my database is mostly made up of teachers! The graphs and pie charts following show the survey results as percentages of the total responses; so it’s worth remembering that whilst 50% of teachers comes to a total number of about 120, 50% of students only represents about 20 responses.

The answers to questions 3 and 4 were pretty consistent amongst the 3 groups: the...
By Samantha Coates on 28/03/2014 7:49 AM
…and the Consequence of Copies  

music-w-bookCall me old-fashioned, but I love using music books. I insist that all of my students buy them. To me, a music book is something you have for life, an addition to a library, a nostalgic possession that can be passed on to the next generation of musicians.

However, I feel like I’m fighting a losing battle. In this digital age, today’s music students are increasingly expecting to get all of their music...
By Samantha Coates on 9/02/2014 3:24 PM
If your child loves to practice, and never has to be reminded, ordered or bribed to do it, then that is wonderful. However, you are in the VAST MINORITY. Most children will baulk at practice, and below are the top 10 reasons why.

1. No routine If a child senses that practising is optional, most times they will opt out. Most would do the same with bathing and brushing teeth. Practice, just like personal hygiene, needs to be timetabled in, so that it is a normal part of the daily/weekly routine. If you wait for the magical time when your child ‘feels like’ practising, you might be waiting a very long time.*

Music practice works best when it is done a minimum of four times per week. It’s very much like physical training: just as an athlete needs to train each day, and wouldn’t cram the whole week’s training into one day, so musicians need to practice several times a week (and not, as many students would believe, only on the morning of the lesson J) in order to improve.

*Like, forever.

2....
By Samantha Coates on 7/11/2013 1:42 PM
With the recent announcement by the AMEB that the May Written series will be abolished, leaving candidates with only one option per year for sitting a ‘traditional’ face to face written exam, it seems that online exams are being embraced with such force that they may be the ONLY option available to students in the very near future.

I have very mixed feelings about this. There is no denying the convenience of online exams, but there is so much to experience taking a ‘real life’ exam, not to mention developing the important skill of actually writing music, as opposed to dragging and dropping it.

Back in March this year, I wrote an article in the newsletter about my daughter’s class at Australian Music Schools, who were all studying towards their ‘face to face’ Grade 3 Theory exam in May. However this year their...
By Samantha Coates on 6/11/2013 4:04 PM
It has been a while since I’ve instigated a competition of sorts with my students. In the past I’ve had things like the House Points system which tallied up minutes of practice and the 50-piece challenge which tallied up actual pieces learned. However I felt there needed to be something new, a bit of a twist on the way a goal is achieved, something to motivate them to learn repertoire more quickly AND more thoroughly. I also wanted my students to be rewarded during the learning of a piece, rather than at the end. So this term I am trying ‘Battle of the Bars’!!!

I have decided to award points per bar of music learned. To get the points, the bar has to be perfect:...
  
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